Film Censorship in Israel and the Cold War, 1948-1967
DOI:
https://doi.org/10.51854/bguy-37A135Keywords:
censorship, cinema, Cold War, Hollywood movies, USSRAbstract
The article examines the impact of the Cold War on film censorship in Israel during the first two decades of the state and sheds light on the Israeli Film Censorship Board’s collaboration with other government bodies, above all the Foreign Ministry in the censorship of western anti-communist films, and to a lesser extent, Soviet anti-American films. Such Cold War-related film censorship was carried out in response to domestic criticism but also to prevent any possible damage to Israel’s diplomatic relations, particularly with the Soviet Bloc, owing to the large number of films imported from the United States. In addition to discussing film censorship policies and practices, the article demonstrates the crucial impact of Cold War culture on the political world in Israel, particularly during the early years of the state. The article's main argument is that the diplomatic impetus for censoring Cold War films attests to Israel’s insecurity vis-à-vis its international status prior to the 1967 War as well as to the ultimately unsuccessful attempt by the government to preserve what was left of its deteriorating relations with the Soviet Bloc.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 IYUNIM: Multidisciplinary Studies in Israeli and Modern Jewish Society

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Unless otherwise indicated, all articles published in IYUNIM: Multidisciplinary Studies in Israeli and Modern Jewish Society are licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).
Under the terms of this license, users may read, download, copy, distribute, reproduce, and adapt the published material for non-commercial purposes, provided that appropriate credit is given to the author(s), the journal, and the original source, and that any changes made are clearly indicated.
Copyright is held by Iyunim: Studies in Israeli and Modern Jewish Society.
Third-party materials included in an article are not covered by this license unless otherwise indicated. If your intended use is not permitted by applicable law or exceeds the permissions granted by the license, you must obtain permission directly from the copyright holder(s).

