In the Footsteps of the Absent Father: The Protagonist as a Writing Subject in the Work of Ronit Matalon
DOI:
https://doi.org/10.51854/bguy-36A125Keywords:
Felix Matalon, initiation, intellectual history of Mizrahi Jews, Israeli literature, Mizrahi politics, Mizrahi women, Ronit MatalonAbstract
The article addresses the literary development of the young female protagonist in Ronit Matalon’s early writing, and the character’s relationship with her absent father. Despite the prevalence of this theme, little research has been dedicated to the father-daughter relationship in Matalon’s work and its influence on the daughter’s decision to become a writer. The article examines this theme in Matalon’s young adult novel, A Story that Begins with a Snake’s Funeral (1989).
My main argument here is that the father-daughter relationship in Matalon’s work is central to the construction of the daughter’s ‘decision to write’, and points to the issue of inter-generational accountability, in which the daughter is entitled to an inheritance from her father despite her critical view of him. As I will show in my reading of the novel, the fictional representation of this relationship bears an autobiographical imprint, particularly in light of Matalon’s choice to quote her father, Felix Matalon, and to lend his voice to the father figure in her writing.
As part of the exploration of this theme, which consists of both fictional and autobiographical aspects, I suggest that the heroine’s efforts to place her absent father in the context of her life and to cope with his absence through her writing point to Matalon’s own efforts to deal with her father’s legacy by writing about him and giving him a place in the Israeli literary canon, while maintaining a critical attitude towards him.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 IYUNIM: Multidisciplinary Studies in Israeli and Modern Jewish Society

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Unless otherwise indicated, all articles published in IYUNIM: Multidisciplinary Studies in Israeli and Modern Jewish Society are licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).
Under the terms of this license, users may read, download, copy, distribute, reproduce, and adapt the published material for non-commercial purposes, provided that appropriate credit is given to the author(s), the journal, and the original source, and that any changes made are clearly indicated.
Copyright is held by Iyunim: Studies in Israeli and Modern Jewish Society.
Third-party materials included in an article are not covered by this license unless otherwise indicated. If your intended use is not permitted by applicable law or exceeds the permissions granted by the license, you must obtain permission directly from the copyright holder(s).

